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・ Line of succession to the former throne of Württemberg
・ Line of succession to the former Yugoslav throne
・ Line of succession to the French throne (Bonapartist)
・ Line of succession to the French throne (Orléanist)
・ Line of succession to the Japanese throne
・ Line of succession to the Jordanian throne
・ Line of succession to the Liechtensteiner throne
・ Line of succession to the Luxembourger throne
・ Line of succession to the Malaysian throne
・ Line of succession to the Monegasque throne
・ Line D (Rome Metro)
・ Line dance
・ Line Daugaard
・ Line Defense
・ Line Delimited JSON
Line Describing a Cone
・ Line discipline
・ Line doubler
・ Line drawing
・ Line drawing algorithm
・ Line drive
・ Line driver
・ Line E (Buenos Aires Underground)
・ Line echo wave pattern
・ Line editor
・ Line element
・ Line Engaged
・ Line engraving
・ Line F (Buenos Aires Underground)
・ Line field


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Line Describing a Cone : ウィキペディア英語版
Line Describing a Cone

''Line Describing a Cone'' is a film produced in 1973 by artist Anthony McCall as part of his "solid light" film series. McCall's reduction of film to the essential properties of the medium resembles the work of other radical artists of his time, and has inspired various projects by artists such as Stan Douglas, Richard Serra, and Gordon Matta-Clark.
==Description==
The idea for ''Line Describing a Cone'' came to McCall on his voyage from London to New York, where he produced the film in 1973. Though he had already created a number of other 16mm films, ''Line'' allowed him to actualize his ideas on the relationship between viewer and film and the medium of film itself. The thirty minute film begins with a single white dot projected onto a black surface. As time progresses, the dot begins to form a curved line, tracing the circumference of a circle until the end of the line reaches its starting point. Meanwhile, particles in the air reveal the path of light in the space between the projector and the wall, making visible a cone of light. If the artist's display specifications are met, this beam of light projects between thirty and fifty feet. The circle that is projected onto the surface sits approximately twelve inches above the ground, and its diameter spans seven to nine feet. The exhibition space lacks seating, inviting the viewer to interact with the ray of light beaming from the projector to the screen. When multiple spectators view the piece together, these encounters with the light, at once an interruption and component of the piece, become an interaction with other audience members.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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